Eternal Cycle is a monumental ceiling painting created by Gia Bugadze for Piazza Batumi in 2010. Executed in acrylic, the composition was conceived in close dialogue with the architecture, following the curves of the vaults and transforming the ceiling into a continuous pictorial space. At the heart of the work are love and, above all, continuous renewal. The composition brings together the four elements — water, air, fire as passion, and earth as solidity and stability — mer

Consonance is Gia Bugadze’s exploration of colour as energy —creating movement, balance, and visual harmony. The title Consonance borrows from the language of music, where different notes come together to create harmony. Bugadze translates this idea into painting. Each composition is built from distinct forms, textures, gestures, and recurring spherical elements that interact like visual tones within a larger orchestration. Their relationships create a sense of balance that

In May 2026, Bugadze Gallery presented Lines in Motion, a solo exhibition of graphic works by Gia Bugadze at J/M Gallery in London. Bringing together a selection from the artist’s ongoing graphic series, the exhibition introduced visitors to a world shaped by movement, imagination, memory, and visual storytelling. Throughout the exhibition, approximately 500 visitors came through the gallery. Alongside artists, curators, collectors, and members of the Georgian community in Lo

Ahead of his upcoming London exhibition Lines in Motion, Gia Bugadze speaks about the role of line and movement in his work, his connection to London, and the ideas that continue to shape his artistic practice. Lines in Motion, Gia Bugadze As is widely known, over the past year you have created the graphic series Lines in Motion. What inspired the creation of this series, and what concept lies at its foundation? Graphic works function as a kind of visual diary. By their very

Gia Bugadze “The Disasters of War” Los Desastres de la Guerra Dedicated to Ukraine Deep empathy and compassion are the underlying reasons for creating this series, the sole purpose of which was fueled by a wish to save Ukraine and Georgia, to restore life, and allow free and joyous living in a genuinely free and independent country. It is difficult to convey the pain permeated by such dramatism and express sincere compassion toward the heroic people of Ukraine. I followed my